The Exodus of Moses

When I read a novel, I often begin at the very beginning and find myself reading the acknowledgements section. The author thanks people and recounts the late nights she spent writing and editing. Then, there is the preface which gives us some background that is helpful but not always necessary. About halfway through these sections, I often think: I want to get into the story! Enough of this! Then, I move to chapter 1.

It would be easy to read the story of Moses that way. It is a sort of preface to the real story and action of the exodus of the people of God out of Egypt. This week, I’ve been reading Echoes of Exodus: Tracing Themes of Redemption Through Scripture by Alastair J. Roberts and Andrew Wilson. In this book, they explain that the story of Moses is not just introductory material. It is Moses’ own exodus story. Moses’ exodus introduces all the themes that will occur in the exodus of the nation.

Consider. Moses’ name means “Drawn out.” If we read his name that way, then we immediately begin to see the parallels with Israel being “drawn out” of Egypt and later the Red Sea. Here’s a passage from Exodus chosen at random with “Drawn Out” in the place of “Moses”:

Drawn Out saw that though the bush was on fire it did not burn up. So Drawn Out thought, “I will go over and see this strange sight—why the bush does not burn up.”

When the Lord saw that he had gone over to look, God called to him from within the bush, “Drawn Out! Drawn Out!”

And Drawn Out said, “Here I am.”

“Drawn Out” will be God’s instrument to draw out the Isrealites from Egypt!

When we consider Moses’ life, the parallels are even more striking. As a baby, he goes down into the water and is brought out to salvation like the Israelites at the Red Sea. 40 years later, Moses seeks to liberate the Israelites. He then has his own exodus where he escapes from Pharaoh and flees into the wilderness.

In the wilderness, God provides Moses with water. Moses then fights off the shepherds to defend the daughters of Jethro. He gets aid from Jethro. All these themes are present in Israel’s experience in the wilderness in Exodus 16–18.

Finally, Moses meets God’s fiery presence in the burning bush. We must remember that this takes place at Sinai. After Israel crosses the wilderness, they meet God’s fiery presence at Sinai just like Moses did.

Why is paying attention to these themes so significant? Roberts and Wilson suggest that we should read Scripture in a musical way. Music repeats various themes and creates tension and then resolutions or more tension in a variety of ways. Reading Scripture this way can help us see what God is drawing our attention to.

In addition, metaphors are powerful. Roberts and Wilson remind us that politicians have often used martial terminology to explain political actions such as a “War on Poverty.” They ask, what if other terms were used?

Say we talked about the frayed edges of society and recovering the stitches we once dropped. Say we lamented the unraveling of communities, addressed the knotty tangles of social problems, and aruged that belonging to close-knit families was a crucial thread in the fabric of society. (23)

The authors note that this would help us think of our problems less in terms of enemies and more “in terms of our interconnectedness and the importance of maintaining the integrity of society’s relationships” (ibid.). All that would have changed was the metaphor, but it would make a significant difference.

So in our reading of Scripture. The metaphor makes a difference. The narrative and its emphases makes a differences. Roberts and Wilson provide some helpful ways to think about how God develops the themes of the Exodus throughout the Bible. The story of Moses is just one part of it. I would certainly recommend this book for anyone who wants to “hear” themes of Exodus in the musical score God wrote in the Bible and is writing in your own life.

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